Jorma Kaukonen's Fur Peace Ranch: Who Is Jorma?
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He was a founding member of two legendary bands, The Jefferson Airplane and the still-touring Hot Tuna, a Grammy nominee for his highly acclaimed “Blue Country Heart,” and the most in-demand instructor in the galaxy of stars who teach here at Fur Peace Ranch. |
With Jorma's newest project, “Stars In My Crown, on Redhouse Records” Jorma proves that he is continuing to explore and grow, and that he is at home in numerous musical genres.
The son of a State Department official, Jorma Kaukonen Jr. was born and raised in the Washington D.C. area, with occasional extended trips outside the United States. He was a devotee of rock-and-roll in the Buddy Holly era, but soon developed a love for the blues and bluegrass that were profuse in the clubs and concerts in the nation’s capitol.
He
wanted to make that kind of music himself. He wanted to take up guitar.
Jorma Kaukonen Sr., skeptical because his namesake had undertaken other
instruments only to lose interest, said that if young Jorma would learn
some songs on guitar he could have one. Not long after came a trip to
the music store for the purchase of a shiny new Gibson.
Soon he met Jack Casady, the younger brother of a friend and a guitar player in his own right. Though they could not have known it, they were beginning a musical partnership that continues to this day. Together they went to concerts and clubs all over town, but it was blues, jazz, and bluegrass clubs (where they often had to exaggerate their ages to get in) to which they kept returning.
Jorma
graduated from high school and headed off for Antioch College in Ohio.
There he met Ian Buchanan, from New York City, who introduced him to
the elaborate fingerstyle fretwork of the Rev. Gary Davis. Jorma was
hooked.
A work-study program in New York introduced the increasingly skilled
Kaukonen to that city’s burgeoning folk-blues-bluegrass scene
and many of its players. He would leave college and undertake overseas
travels before returning to classes, this time in California. There
he earned money by teaching guitar. A friend who taught banjo mentioned
to Jorma he and another friend were thinking of starting a band -- was
Jorma interested? Though he was less interested in rock than in the
roots music that was his passion, Jorma decided to join. It would turn
out he would even have something to do with the naming of the band.
An acquaintance liked to tease his blues-playing friends by giving them
nicknames which parodied those of blues legends. Jorma, he had decided,
was “Blind Thomas Jefferson Airplane.” When the new band
needed a name, Jorma mentioned this, and thus the Jefferson Airplane
was christened.
He sent word back to Washington, where his teenage musical partner Jack Casady had taken up electric bass. Did Jack want to come to San Francisco and be in a band?
The
Kaukonen-Casady duo created much of the Jefferson Airplane’s signature
sound, and Jorma’s lead and fingerstyle guitar playing characterizes
some of the band’s most memorable tracks. But the folk and blues
muse was strong. Jorma and Jack would jam whenever they could, and would
sometimes perform sets within sets at Airplane concerts. The two would
often play clubs following Airplane performances. A record deal was
made and Hot Tuna was born. Jorma left the Jefferson Airplane after
the band’s most productive five years. Hot Tuna had become a full-time
job.
Over
the next three and a half decades Hot Tuna would perform thousands of
concerts and release more than two dozen records. The musicians who
performed with them were many and widely varied, as were their styles:
from acoustic to long and loud electric jams, to acoustic once again,
but never straying far from their musical roots. (In recent years, an
electric set has been reintroduced to some of their tour dates.) What
is remarkable is that they have never coasted: Hot Tuna today sounds
very much like Hot Tuna of 1970, except that the guys have continued
to develop as musicians, so today they are even better.
Jorma has also had a succession of more than a dozen solo albums, beginning with 1974’s “Quah” and continuing through “Blue Country Heart” in 2002 and, now, the much-anticipated “Stars In My Crown.”
But performance and recording are only part of the story. On July 3, 1988, in Key West, Jorma met a young woman named Vanessa Lillian. He was a musician and she was a civil engineer, but there was a cross-discipline spark that quickly took flame. They married and have been together ever since, partners in every sense of the word.
The
most obvious external manifestation of this partnership is Jorma Kaukonen’s
Fur Peace Ranch Guitar Camp. Since it opened in 1998, thousands of musicians
whose skills range from basic to highly accomplished gather here for
weekends of master instruction offered by Jorma and other instructors
who are leaders in their musical fields. A multitude of renowned performers
make the trek to Ohio to teach at Fur Peace Ranch and play at the performance
hall, Fur Peace Station. It has become an important stop on the touring
circuit for artists who do not normally play intimate, 200-seat venues.
It is a touchstone, one of those places to which artists are drawn,
feel they simply must play. Students, instructors, and visiting artists
alike welcome the peace and relaxation -- as well as the great music
and great instruction -- that Fur Peace Ranch offers. Jorma is quick
to say that teaching is among the most rewarding aspects of his career.
As you look around the website, you’ll get a taste of what makes
Fur Peace Ranch unique.
The “new media” have been embraced by Jorma and his colleagues, with numerous professionally recorded solo and Hot Tuna concerts available for download at www.hottunatunes.com and an innovative instructional website, www.BreakDownWay.com, in which Jorma, Jack, and other master musicians provide online learning and support to students all over the world.
Along with the other members of The Jefferson Airplane, Jorma is a 1996 inductee in the Rock and Roll Hall of Fame.
Jorma and Jack continue to tour as Hot Tuna, in recent years
with mandolin virtuoso Barry Mitterhoff and, more recently, joined by
drummer Erik Diaz. Jorma also tours in support of his own recordings,
with a long list of dates scheduled for “Stars In My Crown.”
The new CD is an appropriate follow-up to the Grammy-nominated “Blue
Country Heart.” While the 2002 CD paid tribute to rich, deep
aspects of American roots music with Jorma performing the works of his
favorite blues and country legends, “Stars In My Crown”
is even more personal and is drawn from a far broader palette. It features
an abundance of original songs, from “Late Breaking News,”
“A Life Well Lived,” and “Living In The Moment,”
to the deeply moving “Heart Temporary,” the result
of a conversation between Jorma and Vanessa one morning at their Ohio
farm home. It isn’t entirely original compositions, though, with
songs of many styles, from Johnny Cash’s chilling “The
Man Comes Around” to a reggae song, “By The Rivers
Of Babylon,” to the celebratory title cut, “Will
There Be Any Stars In My Crown.”
Amidst it all, Jorma finds time to be an active and enthusiastic motorcyclist, outdoorsman, and father. His is, truly, a life well lived.
Jorma Kaukonen Discography
Jorma is of course on the recordings of The Jefferson Airplane and the more than two-dozen Hot Tuna albums. He has additionally played on numerous recordings by other artists. Here are the ones on which he is the headliner:
“Quah” (1974) with Tim Hobson
“Jorma” (1979)
“Barbecue King” (1980) with Vital Parts
“Too Hot To Handle” (1985)
“Magic” (1985)
“Embryonic Journey” (1994) with Tim Constanten
“Magic Two” (1995)
“Land of Heroes” (1995)
“Christmas With Jorma Kaukonen” (1996)
“Too Many Years” (1998)
“Live” (2001) Jorma Kaukonen Trio
“Blue Country Heart” (2002)
“Stars In My Crown” (2007)
For more information on Jorma and his current projects and discography, please visit, jormakaukonen.com.

In
a career that has already spanned nearly a half century, Jorma
Kaukonen has been the leading practitioner and teacher
of fingerstyle guitar, one of the most highly respected interpreters
of American roots music, blues, and Americana, and at the forefront
of popular rock-and-roll.